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Dating hogarth prints

Inscribed above the entrance, “PER ME” (“Through me” in Italian) are the first words of the three opening lines of the third canto.The consensus is that Baccio Baldini, a Florentine goldsmith and engraver, created this series of nineteen prints based on Sandro Botticelli’s lost drawings.

With their clear, thick contour lines and fine cross-hatchings for shading, they exemplify what is called the Fine Manner, one of two principal styles in early Italian intaglio prints (such as engravings and drypoints, whose images are incised into a metal surface).If Victorian London belongs to Charles Dickens, the Georgian city is William Hogarth’s.His seething crowds of pickpockets, bawds, gropers and cat-stranglers, sloshed on gin or sporting perfumed wigs, can usually be located precisely within the boundaries of Georgian London, be it in St James’s gaming clubs or Drury Lane boarding houses, outside the Monument or on route to the country at the foot of Tottenham Court Road.Another Mary who is said to have also witnessed the event dramatically opens her arms in disbelief, expressing her immense anguish.As the inscription at the bottom left tells us, Andreani’s engraving is dated to 1585, and it faithfully reproduces a painting by Raffaellino da Reggio, a little-known Florentine painter.

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